Kindeswohl (2018)
Fiona Maye ist eine erfahrene Familienrichterin in London. Ausgerechnet als ihre Ehe mit Jack in eine tiefe Krise gerät, wird ihr ein eiliger Fall übertragen, bei dem es um Leben und Tod geht: Der 17-jährige Adam hat Leukämie, doch als Zeugen Jehovas lehnen er und seine Eltern eine rettende Bluttransfusion ab. Fiona muss entscheiden, ob das Krankenhaus den Minderjährigen gegen seinen Willen behandeln darf. Die Auseinandersetzung mit dem intelligenten Jungen führt Fiona zu einer Entscheidung, die auch ihr eigenes Leben verändern wird.
Regisseur: Richard Eyre
Sound | Stephen Warbeck | Original Music Composer |
Sound | Stephen Warbeck | Orchestrator |
Production | Duncan Kenworthy | Producer |
Camera | Andrew Dunn | Director of Photography |
Camera | Andrew Dunn | Camera Operator |
Art | Peter Francis | Production Design |
Sound | Gillian Dodders | Dialogue Editor |
Sound | Peter Burgis | Foley Artist |
Directing | Richard Eyre | Director |
Production | Nina Gold | Casting |
Writing | Ian McEwan | Writer |
Production | Charles Moore | Executive Producer |
Production | Joe Oppenheimer | Executive Producer |
Art | Sara Wan | Set Decoration |
Camera | Nick Wall | Still Photographer |
Sound | Andrew Caller | Sound Re-Recording Mixer |
Lighting | David Tyler | Gaffer |
Production | Celia Duval | Co-Producer |
Production | Ben Browning | Executive Producer |
Production | Glen Basner | Executive Producer |
Sound | Terry Davies | Conductor |
Camera | Ossie McLean | Steadicam Operator |
Art | Astrid Sieben | Supervising Art Director |
Art | Roya Fraser | Assistant Set Decoration |
Art | Sue Whitaker | Art Direction |
Directing | Susanna Lenton | Script Supervisor |
Sound | Glen Gathard | Foley Mixer |
Visual Effects | Steve Street | Visual Effects Supervisor |
Sound | Brendan Nicholson | Sound Re-Recording Mixer |
Sound | Emilie O'Connor | ADR & Dubbing |
Art | Noel Cowell | Property Master |
Costume & Make-Up | Naomi Donne | Makeup & Hair |
Art | Lucy Moles | Construction Coordinator |
Sound | Andrew Glen | Music Editor |
Crew | Emma Davie | Unit Publicist |
Sound | Mark Heslop | Sound Effects Editor |
Editing | Dan Farrell | Editor |
Costume & Make-Up | Rebecca Cole | Makeup & Hair |
Production | Martin Ware | Casting Associate |
Crew | Gisela Evert | Post Production Supervisor |
Camera | Sebastian Barraclough | First Assistant "B" Camera |
Visual Effects | Chris Reynolds | Special Effects Supervisor |
Production | Paul Tomlinson | Location Manager |
Art | Matt Curtis | Title Designer |
Sound | Nick Freemantle | Sound Effects Editor |
Art | Jono Moles | Construction Manager |
Costume & Make-Up | Doone Forsyth | Makeup & Hair |
Production | Beth Pattinson | Executive Producer |
Camera | Peter Ayriss | Drone Pilot |
Costume & Make-Up | Tessa Phillips | Costume Supervisor |
Editing | Helena Evans | First Assistant Editor |
Sound | Jemma Riley-Tolch | Foley Editor |
Production | Arron Cuthbertson | Extras Casting |
Costume & Make-Up | Fotini Dimou | Costume Design |
Directing | Neil Wallace | First Assistant Director |
Production | Monique Mussell | Production Manager |
Art | Darren Tubby | Art Direction |
Camera | Elliot Purvis | Second Assistant "A" Camera |
Art | Frances Bennett | Graphic Designer |
Directing | George Batchelor | Third Assistant Director |
Sound | Adam Bourne | Foley Editor |
Production | Jannika Öberg | Production Coordinator |
Directing | Nic Pringle | Third Assistant Director |
Camera | Helen Fraser | Second Assistant Camera |
Costume & Make-Up | Ann Taylor | Assistant Costume Designer |
Production | Chris Brewer | Unit Manager |