Arde Mississippi (1988)
En 1964, en un pueblo sureño, donde el racismo está profundamente arraigado y el Ku Klux Klan sigue celebrando sus ritos y reuniones, tres activistas defensores de los derechos humanos desaparecen sin dejar rastro. Dos agentes del FBI, de caracteres muy diferentes, se harán cargo de la investigación. Allí chocarán con un comisario racista.
Directora:
Alan Parker
Escritor:
Chris Gerolmo
Production | Juliet Taylor | Casting |
Production | Howard Feuer | Casting |
Production | Robert F. Colesberry | Producer |
Art | Gretchen Rau | Assistant Set Decoration |
Costume & Make-Up | Aude Bronson-Howard | Costume Design |
Directing | Aldric La'Auli Porter | First Assistant Director |
Sound | Trevor Jones | Original Music Composer |
Camera | Peter Biziou | Director of Photography |
Crew | Richard E. Butler | Stunts |
Art | Jim Erickson | Set Decoration |
Editing | Gerry Hambling | Editor |
Directing | Alan Parker | Director |
Camera | David Appleby | Still Photographer |
Art | Steve Arnold | Assistant Art Director |
Writing | Chris Gerolmo | Screenplay |
Art | Philip Harrison | Production Design |
Costume & Make-Up | Ellen Lutter | Costume Supervisor |
Art | Geoffrey Kirkland | Production Design |
Editing | Mayin Lo | Assistant Editor |
Production | Frederick Zollo | Producer |
Sound | Danny Michael | Sound Recordist |
Crew | Steve Kelso | Stunts |
Crew | John Robotham | Stunt Coordinator |
Production | Barbara Harris | ADR Voice Casting |
Art | John Willett | Art Direction |
Directing | Robin Squibb | Script Supervisor |
Sound | Pieter Hubbard | Sound Editor |
Crew | Nicholas Paleologos | Thanks |
Costume & Make-Up | Helen P. Butler | Costume Supervisor |
Costume & Make-Up | David Forrest | Makeup Designer |
Crew | Maida N. Morgan | Thanks |
Sound | Rick Kline | Sound Re-Recording Mixer |
Art | James C. Feng | Assistant Art Director |
Art | E.W. Bradford | Construction Coordinator |
Crew | Roger Dietz | Scenic Artist |
Sound | Robert J. Litt | Sound Re-Recording Mixer |
Sound | Elliot Tyson | Sound Re-Recording Mixer |
Camera | Mike Roberts | Camera Operator |
Crew | David Linck | Unit Publicist |
Crew | Stan Parks | Special Effects Coordinator |
Costume & Make-Up | Paul LeBlanc | Hair Designer |
Art | Polar Bear Shaw | Set Dresser |
Lighting | Dennis J. Lootens | Electrician |
Art | Jerry G. Henery | Construction Foreman |
Costume & Make-Up | Cynthia L. Hamilton | Assistant Costume Designer |
Sound | Paul Hulme | Sound Engineer |
Sound | Hal Sanders | Sound Editor |
Sound | Bill Phillips | Supervising Sound Editor |
Sound | Bruce Lacey | Sound Editor |
Art | Ron Stone | Property Master |
Production | Tom Razzano | Unit Production Manager |
Camera | Bob Leitelt | Grip |
Lighting | Willie Mann | Best Boy Electric |
Editing | Gary Burritt | Negative Cutter |
Camera | Eamonn O'Keeffe | First Assistant Camera |
Art | David Brace | Leadman |
Crew | Rick Davis | Transportation Captain |
Camera | Mike Moad | Dolly Grip |
Editing | Glenn Cunningham | First Assistant Editor |
Sound | John Phillips | Sound Editor |
Camera | Les Percy | Key Grip |
Sound | Anthony Starbuck | Boom Operator |
Production | Judith Lyn Brown | Production Coordinator |
Sound | David Grannis | Assistant Sound Editor |
Crew | Jerry Jackson | Transportation Coordinator |
Directing | Brenda Kalosh | Second Assistant Director |
Art | John Bromell | Set Dresser |
Directing | Carol D. Bonnefil | Second Second Assistant Director |