The Last Girl - Celle qui a tous les dons (2016)
Un petit groupe d’enfants, immunisés contre un terrible virus qui risque de décimer l’humanité, est détenu dans un camp militaire. Bien qu’ils se nourrissent eux aussi de viande humaine, les enfants sont encore capables d’éprouver des sentiments. Ils sont donc essentiels à la recherche menée par le docteur Caldwell, biologiste, pour trouver un vaccin capable de sauver l’espèce humaine. Parmi les enfants, une petite fille, Melanie, sort du lot : dotée d’un esprit brillant, elle est très liée à la maîtresse, Miss Justiniau. Quand le camp est attaqué par les zombies, le petit groupe entame une terrible odyssée dans une Grande-Bretagne en ruine. Melanie, l’ancienne prisonnière, devient un précieux guide…
Directeur:
Colm McCarthy
écrivain:
Mike Carey
Sound | Carsten Richter | Foley |
Sound | Sebastian Morsch | Sound Effects Editor |
Production | Richard Holmes | Executive Producer |
Production | Will Clarke | Executive Producer |
Sound | Nick Baldock | ADR & Dubbing |
Art | Philip Barber | Art Direction |
Production | Colin Jones | Casting |
Writing | Mike Carey | Screenplay |
Writing | Mike Carey | Novel |
Art | Kristian Milsted | Production Design |
Production | Christopher Moll | Executive Producer |
Camera | Simon Dennis | Director of Photography |
Directing | Colm McCarthy | Director |
Visual Effects | Seb Barker | Visual Effects Supervisor |
Costume & Make-Up | Monica MacDonald | Makeup Supervisor |
Production | Andy Mayson | Executive Producer |
Production | Toby Spigel | Casting Associate |
Camera | Aimee Spinks | Still Photographer |
Production | Angus Lamont | Producer |
Costume & Make-Up | Nadia Stacey | Hair Designer |
Costume & Make-Up | Nadia Stacey | Makeup Designer |
Costume & Make-Up | Nadia Stacey | Prosthetics |
Sound | Dillon Bennett | Sound Designer |
Editing | Dominik Schleier | Dialogue Editor |
Visual Effects | Nick Rideout | Special Effects Supervisor |
Costume & Make-Up | Liza Bracey | Costume Design |
Sound | James Ridgway | ADR & Dubbing |
Sound | Cristóbal Tapia de Veer | Original Music Composer |
Camera | Jon Beacham | Camera Operator |
Camera | Daniel Bishop | Steadicam Operator |
Art | Katerina Michail | Art Department Coordinator |
Production | Camille Gatin | Producer |
Costume & Make-Up | Scarlett O'Connell | Prosthetic Supervisor |
Production | Ben Rimmer | Line Producer |
Editing | Matthew Cannings | Editor |
Art | Joshua Douglas-Bagley | Art Department Assistant |
Art | Agis Pyrlis | Assistant Art Director |
Production | Melissa Gethin Clarke | Casting Assistant |
Directing | Sam Donovan | Script Supervisor |
Costume & Make-Up | Philip O'Connor | Costume Supervisor |
Costume & Make-Up | Sarah Dutton | Set Costumer |
Camera | Graham Martyr | Camera Operator |
Lighting | Wayne Mansell | Gaffer |
Camera | Anna Benbow | First Assistant Camera |
Camera | Joshua Bourke | First Assistant Camera |
Camera | Fran Weston | First Assistant Camera |
Camera | Luke Stone | Key Grip |
Visual Effects | Zakaria Boumediane | 3D Generalist |
Visual Effects | Francisco Paim | 3D Generalist |
Visual Effects | Davey Ahern | Visual Effects Producer |
Sound | Rory de Carteret | ADR & Dubbing |
Sound | Marcus Sujata | Foley |
Costume & Make-Up | Anna Morena | Makeup Artist |
Costume & Make-Up | Jenna Hacking | Prosthetic Makeup Artist |
Costume & Make-Up | Jennifer Nelson | Prosthetic Makeup Artist |
Costume & Make-Up | Mireille Paulo | Prosthetic Makeup Artist |
Editing | Paschalla Sharpe | First Assistant Editor |